Earlier this year we were involved in capturing the Shotover helicopter aerials for a stunning future development in Circular Quay.
We shot on a Shotover F1, with a Sony F55 and Arri-Optimo 18-80mm.
Above is the finished product.
Time-lapse photography is powerful tool for evoking emotion and showing the passing of time. Below is a couple of examples of some of the time-lapses we have recently captured. Get in touch with us today to discuss your next project.
On Wednesday the 26th of July we were lucky enough to get the opportunity to shoot the mammoth 333-meter long super-carrier, USS Ronald Reagan.
The Port of Brisbane Corporation commissioned this shoot to memorialise the largest US military ship docking in Brisbane in over 2 years.
We liaised with the US embassy, Port of Brisbane Corporation and air traffic control in order to make this shoot happen.
We were given clearance to operate in airspace surrounding the giant ship except directly above it. It turns out there will always be some restrictions in place around a nuclear-powered warship.
Below are some of the shots that were captured of the immense vessel.
Delivering a client a great set of images takes more than just having a skilled photographer with the right equipment.
The final and one of the most important steps in the process of delivering stunning images to our clients, is the post processing of the raw images.
Post processing can make a great image even better, however, when deadlines are tight sometimes waiting for idyllic conditions to shoot a great image is not always an option.
When this is the case, extra time spent processing the raw image files can make all the difference between a photo looking okay or fantastic.
Below is the before and after of an image shot on a hazy evening from Newstead back towards the city.
News Corp recently put together this video for ONE Palm Beach on the Gold Coast.
We had the role of shooting both the aerials and level perspective views for this project.
The aerials were shot on our mid-level inspire 1 drone over an afternoon/sunset and the following sunrise/morning. We were very happy with the emotive impact they had on the final piece.
The view perspectives we shot on our large drone with a sony A7R2 professional digital camera. These were shot primarily for print applications and as back plates for renders. But we were also happy with how they were incorporated into the video.
A ground location and lifestyle shoot is a great way to introduce potential stakeholders to the area of your next project. We usually shoot during either the morning or afternoon golden hour to get the nicest lighting, however, sometimes the lunch rush is a key selling point that we are asked to highlight. Shooting in public, without models is a cost effective way to capture the hustle and bustle of nearby parks, shopping districts, and eateries. Shooting with talent is also sometimes the best option when the goal is to capture very specific emotive themes or children
Ground photography is the perfect companion for a great set of aerials, whether they are shot from a drone, helicopter, or both.
Introducing stakeholders to a location with a variety of shooting methods is a great way to show them the big picture, down to the fine details and feel.
Shooting in first and last light is really the best way to make a scene epic.
We recently captured an epic sunrise shooting for a development in Palm Beach, Northern NSW.
We traveled from Brisbane to shoot the sunset, stay the night and shoot the sunrise as well. This gave us the opportunity to shoot during the best hours of the day.
We shot the clip below on our Inspire 1 drone, one of our mid-level products. We also offer the Inspire 2 and the Matrice 600 Professional. The Matrice is able to lift pretty much any camera of your choosing – making matching aerial and ground footage a pleasure.
Meet the latest member of the Aerial Advantage team. The DJI Matrice M600 Professional.
This newly released drone has triple-redundant GPS systems, ideal for operating in high ‘electronic noise’ environments. This also allows us to position the camera exactly where it is required and hold more accurately that any pre-existing system on the market.
It also has dual motor signal redundancy and can lose a motor in flight and still land safely.
It is powered by 6 individual flight packs. This allows it to safely land in the event of a catastrophic battery failure.
In short, this drone will allow us to lift the camera of your choice, up to a red or Arri mini and put it where you want it as safely as possible.
It also has a high-definition video downlink with SDI out – ideal for live broadcasts.
Give us a call today to have a chat about what we can achieve with this amazing tool for you!
Late last year the Port of Brisbane contracted us to shoot a series of high altitude and low-level photos for their annual asset management report and website. The brief called for full coverage of the site from low altitude, along with multiple angles from high altitude (9000ft+), including an orthographic capture of the entire port area.
The port is located very close to Brisbane International Airport, with its entirety inside of the 3nm drone exclusion zone that surrounds all towered airports in Australia. This meant for the low-level and high-level aerial photography a helicopter was the ideal camera platform.
A Robinson R44 was the bird of choice the job. The Robinson R22, a two-seater helicopter would be the most economical choice for the low-level shots, however, it did not have the power necessary available power to operate safely at 9000ft+. This was the altitude required to achieve the orthographic images of the port in its entirety that the brief required.
Shooting the low-level photos went very smoothly, we worked with air traffic control and Brisbane Tower to coordinate our entry and exit of the airspace. The high-level shots were another case altogether.
Shooting the high-level photos was a much more challenging task. Climbing to 9000ft+ in an R44 with only two occupants takes in excess of 12 minutes. This makes failed attempts costly. Permittable weather parameters are also more stringent when shooting from such high altitudes. Humidity, dust, and clouds can completely block the site, instead of just casting shadows on it.
The combination of challenges resulted in two aborted high altitude attempts. We were successful on the third try, coordinating weather, air traffic, and commute time.
In the end, it took three hours of flight time with almost a month on standby, for waiting for permittable weather conditions, to complete this brief.
Challenging briefs are our favorite. Capturing images from airspace that is not usually shot is incredibly rewarding. This Requires not just photographic expertise, but logistical know-how as well.
If you aren’t sure what is possible to capture give us a call. We will make sure to work with you in every way possible to realise your vision.